Posts Tagged ‘ tabla ’

Indian Music in India

As we travel around the world, we meet many individuals who want to learn about Indian music or further their own practice of it.  The world of indian music is immense and its depth immeasurable.  For a week, Rhythm Riders is hosting a week of sharing and learning in the beautiful hill station of Mount Abu, Rajasthan for musicians of all genres from around the world.  There will be jam sessions and concerts, special percussion lecture by Pandit Divyang Vakil and more.

Take a look at this video to know more:

http://www.rrmproductions.com/index.php/indian-music-workshop-in-india

For more information, email manager@rrmproductions.com or visit this page

 

Tālavya (formerly Tabla Ecstacy)- Charlottesville

Tālavya (formerly Tabla Ecstacy) - March 25, 2010 USA Tour

 

Charlottesville is Tālavya (formerly Tabla Ecstasy’s) first stop for  rhythmriders 2010 USA Tour.

Talavya is a unique and enthralling display of Indian drumming. Highly intricate rhythmic patterns are set to a repeating melodic time cycle of 16 beats. This masterpiece is the latest group tabla ensemble composed by Pandit Divyang Vakil showcasing the power of the North Indian hand drums – Tabla.

In a contemporary presentation style, Tabla Ecstasy is a unique anekbandhi that features all audience pleasing facets of modern tabla playing, while carrying the essence and richness of classical tabla playing.

 

Tabla Ecstasy is performed in perfect syncronization and harmony by the four senior artists of Pandit Divyang Vakil – Rushi Vakil, Nishant Mehta, Kaumil Shah and Sahil Patel.

All The Best to rhythmriders team.

Starting 2010 with a Memorable Performance

Set along a lake alit with floating candles, Rhythm Riders started the new year with a wonderful performance on a beautiful plot away from the city.  The audience came with high expectations of the performance, knowing only that they were in for something very different and they were not disappointed.

Tabla Ecstasy started off the evening with their powerful drumming. Tabla players Rushi Vakil, Kaumil Shah, Sahil Patel and Rahul Shrimali  impressed all with their synchronization and complexity of rhythmic patterns and tabla compositions.  The audience had many Indian classical music listeners and they appreciated the contemporary style of presentation and commended Pandit Divyang for his unique work.

Following a brief break, Rhythm Riders took the stage again with a different mood and feel with world fusion group Taan.  Led by composer and keyboardist Rushi Vakil, the group started off with its newly updated track Om Namah Shivaya, which has become even more powerful with the addition of recitation of the Shiv Taandav.  Other tracks performed included Megh (a mix of Rajasthan folk and R&B), which had the audience clapping and dancing as Sahil Shah and Kaumil Shah played folk rhythms on the dholak and tabla; and Goan Kurry (Goan folk and Irish music), which was the first time many audience members heard Irish fiddling.

At the end of the show, many could not believe how quickly time had passed.  “We had intended to leave a bit early as we had early morning commitments, but could not move from our seat,” was the comment from many listeners.

It was beautiful way to start the new year and we look forward to many more performances like this in 2010.

Indian Music (Tabla) for Meditation

Kaumil Shah, a professional tabla player and disciple of Pandit Divyang Vakil is known for his consistency in playing pure teentaal. He can play drut teentaal for extended periods of time, losing himself in the cyclical rhythm of the fundamental taal of tabla.

His teentaal is best enjoyed with dimmed lights (ideally candlelight) and closed eyes. Close your eyes and allow yourself to be lost in the beautiful rhythm of teentaal. This video is from his tabla concert performance at Rhythm Riders during the weeklong Guru Purnima celebrations in 2009.

Drumming, Indian Style

By Ariel Walzer

http://www.longislandwins.com/blog/in_the_news/drumming_indianstyle.php

Learning to play the tabla, a traditional Indian percussion instrument, is like “learning a language,” says Sejal Kukadia, teacher at the Long Island branch of The Taalim School of Indian Music, which just opened in New Hyde Park and is run out of Kukadia’s house (the main school is in Rutherford, N.J.). But unlike Russian, Arabic, and Chinese, you won’t have to spend long nights poring over textbooks that weigh more than your dog.

Some background on the tabla for all you newbies:

The instrument consists of one wood drum and one metal drum, both of which are covered by goat skin. Each part of the surface of the drums makes a different sound and therefore has a different name. So each note name is like a word of a language. This language is important for the musician since the tabla is taught out-loud, and not by sheet music.

“Your teacher will speak a composition orally, and you will have to memorize it,” Kukadia explains. “He will say the words: a series of patterns. The student then has to understand and catch that pattern and memorize it on the spot.” As I speak with Kukadia on the phone, she then rattles off “ditas” and “dahs” to show what a spoken composition would sound like (Kind of like singing the guitar solo from “Sweet Child O’ Mine,” but with a considerably more professional tone, no offense to Slash).

Kukadia has been playing for 10 years and has managed to make a living not only performing, but teaching. The Taalim School of Indian Music–which is centered around the teaching and leadership of guru Pandit Divyang Vakil–has several locations in the Northeast, spanning across New Jersey, New York, and Pennsylvania, and Divyang Vakil boasts over 300 tabla students worldwide. On Long Island, there’s the New Hyde Park school, as well as a school in Bellerose and in Flushing, Queens. The school has personal classes, workshops, and group classes all for the tabla. It also holds student recitals and hosts different events of Indian classical music, if you’re interested in stopping by for concerts.

Another great opportunity the Taalim School offers is the chance to study with students at the Rhythm Riders Music Institute in Ahmedabad, Gujarat, India, which Kukadia considers the mother school of her own endeavor. Students from both schools have the opportunity to travel to the other school and practice and perform with students there.

Though many of you might be thinking the tabla is only ever used in traditional Indian music, you’ll be surprised to learn that it’s had an impact on more recent culture. “A lot of mainstream music like rap musicians have the rhythm [of the tabla] in the back of their music,” Kukadia says. “I just sit down and turn on my television and there will be a car commercial with tabla beats.” So next time you see Jay-Z hawking a Nissan, you should listen closely: you may hear the language of the tabla.

Group classes cost $25 per class and private lessons range from $40-75. For more information about the Taalim School of Indian Music, check out their website here.

Tabla Guru Purnima contd

Evan Boyd

Evan Boyd

Evan learns tabla from the Taalim School of Indian Music and made a special trip out to India to be with his Guru – Pandit Divyang Vakil on the special day of Guru Purnima.  His tabla solo was full of humour and his enjoyment and energy was enjoyed by all.   You can watch Evan’s solo here.

Rahul Shrimali Tabla Solo

As usual, young rising tabla star 16 year old Rahul Shrimali displayed his expertise during his tabla solo.   He may be young in age, but has immense talent and dedication to tabla and shows maturity beyong his years in his playing.   You can watch a video with clips from both of  Rahul’s tabla solo during the weeklong Guru Purnima celebration.

Music/ Tabla Guru Purnima 2008 contd

Beautiful rangoli of tabla (made of coloured sand) by Jagat Sukhadia.
Female Tabla Player - Heena Patel

Female Tabla Player - Heena Patel

Picture from a tabla performance by female tabla player and Canadian disciple of Tabla Guru Pandit Divyang Vakil Heena Patel.

Fusion Night with Rhythm Riders

This past Saturday, Rhythm Riders took audiences on a musical journey around the world with a fusion night held at a prestigious family club.   The evening began with Pt. Divyang Vakil’s tabla fusion ensemble Tabla Ecstasy.  Unlike their last two performances at cultural festivals, where the audience was primarily college students, the audience at fusion night was primarily mid-aged adults (parents of college students).   The response however was no different.   What is normally considered a quiet audience, still expressed their appreciation with their loud applause and requests for a repeat performance at the end of the segment.

Following on the heels of Tabla Ecstasy powerful performance, composer and keyboard player Rushi Vakil’s world fusion group Taan took the stage and captivated the ears and hearts of the audience with music from around the world.   Their fusion of an African folk love song and a rock ballad was just as appreciated as its most Indian track Om Namah ShivayaBhairavi Grooves taught the audience rhythm and everyone was on their feet moving to the jazz music.   Aniket Khandekar gave vocal texture to the tracks, while Chirag Katti impressed with his personal invention – the sitrazz – a mix of the sitar and guitar and Jignesh Sheth supported on lead guitar.   Bass guitarist Steven Francis and Suresh Bhadricha brought the western flavour, while percussionists Kaumil Shah and Sahil Patel provided grooves and rhythms from India, Africa and the Arab nations.

Overall, the night was a great success and another feather in Rhythm Rider’s cap.

The love of the Young Students

The young students of Rhythm Riders are always a delight.  I justed wanted to recount an experience that occurred in our beginner tabla class today. 

Adit, nicknamed “Add-it”, has been learning at RRMI for nearly 4 years.   Last time in class, Nishantbhai remarked, “You have been playing very well for the last 2 to 3 classes, so when are you bringing chocolates to class?”  (Distributing chocolate is a common way to celebrate good news).

The comment was made in good humour, but low and behold, today, Add-it showed up with 5 candy bars.  One each for the three teachers and two for Guruji.  =)

guruji’s yoga workshop

it was two days back, when guruji came up with an idea to give a lecture on yoga. it was a suprise for all the students as well and everybody was very exited for that. we decided to arrange the lecture at the institute in the evening. 

it was 8 pm and everybody started gathering. guruji, as usual, was in great mood. he didnt want many people to gather, yet there were at least 20 of them!!! and he started speaking about the importance of self restraint and then explained how yoga and meditaion are one of the most useful mediums to achieve it.

the lecture and interaction went on for about 2 hours. guruji covered some known and many absolutely unknown aspects of yoga and the philosophy of meditation. everybody ended saying ” guruji… we want more….. ”

the lecture went on for about 2 hours